Joseph
Schuster will be at the library on Tuesday, June 18 at 7 pm to discuss his book
and the library’s One Book, One Kirkwood selection The
Might Have Been. Mr. Schuster
was born in St. Louis but grew up in Ohio.
He has an undergraduate degree from Northwestern University and an MFA
from Warren Wilson College in North Carolina.
He has been a member of the faculty at Webster University and department
chair of the communications and journalism department at Webster University for
14 years. Previously Schuster was a
staff writer at the Riverfront Times
and an editor at St. Louis Magazie. He’s an avid Cardinal’s fan and does writing
for their publications. Schuster is married
with five grown children and a proud grandpa to two.
Did you grow up with lots of books? What are your memories
of being read to as a child?
My house was full of books when I was growing up -- bookcases
full of them--and I remember my father starting to teach me to read when
I was in kindergarten, using an article in the Cincinnati Enquirer about the
moon. I don't remember what the article was about -- just that I pointed to the
picture of the moon in the newspaper and asked him about it so he sat me on his
lap and began helping me to sound out words. Perhaps because we moved so much
when I was a child -- I went to six schools between kindergarten and the eighth
grade and then two high schools -- I read voraciously, because I spent so much
time alone, as the perpetual "new kid." I remember one of the
happiest days of my childhood was the last day of the fifth grade. One of my
classmates had eight or ten Hardy Boys books in his desk and he didn't feel
like carrying them home so he asked if anyone wanted them. I did and he gave
them to me and although I had to carry them a mile on my walk home, and had to
stop several times to set them down to rest my arms, I kept thinking what a
wonderful summer it was going to be because I had all of these books to read.
What are you reading now?
I have had a stretch over the past few weeks when I have read
some marvelous books: Kent Haruf's Benediction, James Salter's All That Is, but
at this moment, I am reading Adam Johnson's The Orphan Master's Son, which just
won the Pulitzer Prize for Fiction. It's an amazing novel -- he has so much
going on in it; it's so rich and compelling. It deserves all of the praise and
honors it has received.
What are you planning to read next?
I have a pile of books that I intend to get to as soon as I
finish Orphan Master's Son -- on the top of it are Jean Thompson's new novel,
The Humanity Project, Jill McCorkle's Life After Life (which I heard her read
from last summer and am excited to get into), Eowyn Ivey's The Snow
Child.
What book has had the biggest impact on you.
This is a tough question, since I gain something as a writer
from just about everything I read. If I had to choose one book, it would be
Gustave Flaubert's Madame Bovary. In my graduate program, we had to spend one
semester writing a critical essay centered on craft and so I lived with that
book for six months, reading and re-reading it so I could break down its
structure, figure out how Flaubert had built his narrative. It's an incredible
edifice; he constructs it so patiently. If there is a flaw in the book, I
couldn't tell you what it is. Most everything I know about structure begins
from that book.
What might we be surprised to find on your bookshelf?
I have an odd collection of reference books, which I have found
at second hand shops and rummage sales, things like the 1962 Who's Who in Baton
Twirling, and a book from 1977 for the fifteenth reunion of the class of 1962
of Harvard College, which is a collection of short autobiographical sketches of
the people from that year, telling their classmates what they've been up to
since graduation; some are a line long, some go on for paragraphs. I have a
1937 high school year book from Allegheny High School in Pennsylvania. Books
like these give me a glimpse into the lives people who, on the surface, seem
pretty much ordinary, but\really aren't all that ordinary after all. Partly,
they're interesting since I can find characters in them -- not using any of the
people who are actually in the books,
but paging through them and thinking about these people who are all strangers
to me but who had these lives that were important and meaningful leads me to
start to form notions of characters for my own fiction.